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Nothing Else About E3 Matters Because There are Communists in the New Wolfenstein

We’re right in the middle of E3, a week-long extravaganza showcasing what every big triple-A games publisher has to offer for the coming year and beyond.  But none of it really matters, except Wolfenstein II: The New Colossus because it’s got Communists in it.

Wolfenstein II: The New Colossus is a sequel to 2014’s Wolfenstein: The New Order, which took series protagonist William “B.J.” Blazkowicz through an alternate timeline 1960’s Europe where the Nazis’ technological advancements secured their victory in World War II. The New Colossus brings us to the United States of America in the same timeline, and from the trailer we can see that the US Government have welcomed the Nazi Occupation open-armed, with SS Officers drinking strawberry milkshakes in diners, and making sure Klansmen have been keeping up on their German lessons.

Now, I’m not sure if you’ve noticed, but I’m a bit of a fan of Communism. Shocking, I know. And as a result, when a piece of media, especially video games, portrays Communism in a positive light, I get a warm feeling deep inside of me that reverberates throughout the very core of my being. So, it’ll come as no surprise the immense joy that I felt when I watched the reveal trailer for The New Colossus, that premiered at Bethesda’s E3 conference last Sunday.

It has Communists in it, which renders everything else about this year’s E3 completely unimportant.

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There are a lot of other things to love about The New Colossus‘s reveal: the diverse cast of minority and disabled characters, including the fact that Blaskowicz himself is paraplegic (we can see badass action missions in the trailer where Blaskowicz is wheelchair-bound), the poignant commentary on the shared views of the Third Reich and many Far-Right organisations in the western world (the aforementioned Klansmen), and the abject hilarity of the Alt-Right’s sheer anger over the game’s objective of killing, I quote, “people you disagree with.”

But, I’m all about that on-brand content. So for me, more important than all of that, is the group of American Communist Revolutionaries that Blaskowicz seems to recruit into the Kreisau Resistance. We see as-of-yet unnamed men and women with red-banded arms engaged in distanced gunfire, surrounded by what looks like vintage distillery equipment, as Blaskowicz sits down to share a bottle of whiskey with the assumed leader.

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The old man talks with fury about the Imperialist war machine of the United States, the greedy moneymakers of Wall Street, and the families of the Proletarian masses. They even have a Constructivist propaganda poster on the wall, with a rising sun backgroup and hands clutching a hammer. And look at that man with the claranet. That’s fucking amazing.

That’s the most important thing to take from this year’s E3. Not the tactical opposition to fanatical religious cults in a Southern American state in Far Cry 5. Sure there’s Boomer, the Fangs-for-Hire who nicks guns off of your enemies and gives them to you. He may be a very good boy, but is he a Communist in The New Colossus? Nay I say!

Not the revamped gameplay and fascinating new setting of the upcoming Assassins Creed Origins. Yes, Eagle Vision is actually the vision of an eagle now, and the main protagonist doesn’t have a painfully out-of-place American accent like Altair in the first Assassins Creed. But even worse, Communism didn’t even exist in Egyptian times! Ridiculous.

And not the much-awaited unveiling of Beyond Good and Evil 2 and Michel Ancel’s resultant tears of joy. Yes, BG&E2 looks like literal gold embezzled onto a screen and Ancel’s muted outburst of pure emotional catharsis was one of the most beautiful parts of the Ubisoft conference, nay, the entirety of E3. But you know what London slang-spouting anthropomorphic monkeys don’t beat? Communists in The New Colossus.

Killing Nazis has always been a timeless conquest in video game history. They’re the perfect enemy. And I look forward to Wolfenstein II: The New Colossus‘ continuation of the medium’s tradition. But, as proven in actual World War II, the most effective force you can throw at a Nazi Occupation is a big handful of Communists, which makes me ever-more eager.

[This is a disclaimer that I’ll be adding as a footnote to all of my work from now on: any nonsensical connections made between video games and Communist themes, zealous and self-righteous dictator-esque behaviors, and perceived support and/or apologism of oppressive regimes like the Soviet Union are purely instances of self-satire as a means of comical introspection, and in some cases have no basis in truth or personal belief.]

1 Comment »

  1. Aye comrade. It’s refreshing to see a game that sees any reference or resemblance of actual leftist themes, as it hasn’t been done before in a triple AAA that I recall. I’m definitely not an apologist for the authoritarian tendencies of the later-era “communist” states, but I like seeing a sort of loose alliance of a revolutionary resistance of Americans and not-so-fond American communists. Hopefully, the game paints those supporting characters showing what communist is fundamentally about, and influences the players with a new and different perspective of it.

    Like

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